What About Thad?

Since none of the online video sharing sites are safe from purging, I’ve re-uploaded the animator ‘reels’ to my own server. I’ll try and have them all up eventually, but here they are again.

Art Davis
[wpvideo ZzdA5MZa w=400]

Emery Hawkins
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John Gentilella
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Jim Tyer
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Ken Harris
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Rod Scribner
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From Wild and Woolfy. Avery sure liked to date his “wanted” posters.

I know there’s a lot of fans of Harvey Eisenberg out there, so here’s a [mediocre] Li’l Bad Wolf story he drew from Walt Disney’s Comics & Stories #77. (By the way, did he have an actual first name, or did Zeke really name his son “Li’l”? Typical hick.)

Another Library of Congress synopsis reveals that the first Oscar-winning Tom & Jerry, Yankee Doodle Mouse, had a scene deleted in the reissue prints. Go to page five for details.

And yes, the guys typing these up eventually did cite the characters by name in their synopses… I’ll have a few more of these up in the coming weeks. Thanks again to David Gerstein.

Irv Spector wrote only one cartoon with Herman & Katnip, the first entry in the actual H&K series (after being regulars in the Noveltoon series), Mice-Capades. This short contains all of the trademarks of the classic unsettling Famous Studios production; the ultimate one being that a bottle of poison (clearly labeled, with a skull) is readily available in the kitchen. (I think Joan Crawford lived in this house.) Al Eugster is trying to get a little angular with the poses and animation here, with mixed results.

And the theme song is probably the best one ever written in history.

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Quite a contrast to the video directly below, huh?

[youtube=http://www.youtube.com/watch?v=S5-D0f6nHSQ&hl=en&fs=1]

It’s not easy to say so, but Chuck Jones was definitely the low man on the totem pole at the Warner studio in 1944. While Tashlin, Freleng, and Clampett were all making very fine and funny pictures that year, Jones only turned out two that work as whole films. (Tom Turk and Daffy and Lost and Foundling). From Hand to Mouse, The Weakly Reporter, and Angel Puss all either suffer from sluggish pacing or bad gags. (Though I suppose if you used a computer program to replace the Jones unit animation with Clampett unit animation on the third, it’d be hailed as a “celebration of differences”.)

But then there’s a little oddity called Bugs Bunny and the Three Bears. I neither like nor dislike this cartoon, though I really want to like a cartoon with a nymphomaniac Mama Bear causing Bugs to scream in horror at the iris out. One criticism you can never make about the Jones cartoons is bad posing or in-betweening, but in this one, both stink ever so rotten. The Bobe Cannon scene with the bear family at the table looks as though they’re going to float away. There’s also that absolutely revolting looking bit towards the end with Mama Bear trying to coddle Bugs (Rudy Larriva?) where it’s just a juxtaposition of random, unrelated poses. (John K. anyone?) Only Ken Harris does any well-grounded work in this film (Bugs singing “King for a Day” in the pajamas to kissing Mama Bear).

What caused these unfortunate circumstances for this one cartoon I wonder?

[youtube=http://www.youtube.com/watch?v=2swYL10FhZo&hl=en&fs=1]

BTW, that’s Kent Rogers as Junyer Bear here, not Stan Freberg as often claimed.

[youtube=http://www.youtube.com/watch?v=ZXCEKT2JdOk&hl=en&fs=1]

(Thanks, Severin.)

Reader Mike Matei asked this toughie: “In The Mad Hatter, how come Woody doesn’t have to pay for the top hat when he goes to the hat store?”

[youtube=http://www.youtube.com/watch?v=ST4LwJ-NEik&hl=en&fs=1]